Tuesday, June 28, 2011

Swann's Way, Combray I, pp. 1-15

An hour with the book and my computer and that's all the farther I got before it was time to make dinner.

Overview:
The state of memory, space and time fluidity. Where is the narrator, and when? Is he young? Old? An invalid? Is he remembering his fear of his uncle or is he remembering the instance of that fear? Or are these things the same? (Ahhh...waking up and thinking you are somewhere else. But he describes it so much more eloquently.)

Our narrator (our Proust) is searching for his memories, and the narration seems confused and wild, but it's actually following a very careful order. He begins by reaching wildly and time and space are confused, then he slowly settles on more distinct places, times, and people, and we see him go from vague memories to more specific stories (and finally he tastes the madeleine cakes, which trigger the next set of memories, and so on, but I'm not there yet on this second read).

From within this twilight state he mentions place names and people, possibly in foreshadowing or a roadmap: locations such as Combray and Tansonville, Balbec (Is it a hilarity or a commercial ploy that someone named their anti-aging cream Combray?), and people like Swann.

My own, possibly silly, thoughts:
His grandmother reminds me of Jean-Jacques Rousseau, that great French philosopher who embraced nature and believed children should be allowed to run around in downpours and go barefooted in winter.

Some things to pay attention to?
Travel or the train station (pp 2, 10)
the mother/son relationship (pp 6, 15)
the magic lantern (pp 9-10)
Genevieve de Brabant and Golo (pp 10-12)
The social triangle

The magic lantern was a new one on me, and so was the story of Genevieve de Brabant and Golo. I don't know if we'll see a return of the lantern later in the book, but I found it interesting as a tool melding the distant past (Merovingian) to the present. And Genevieve is the wife and mother, falsely accused by Golo of infidelity with him against her husband, who is to be put to death but escapes and is aided by a roe deer in caring for her son. Later she is cleared and re-accepted by her husband. There is an obvious link here to the mother/son relationship, and possibly also to that between mother and father/husband and wife, and our first example of the social triangle.

Then there is his grandmother whose sister keeps tempting his grandfather with liqueurs he shouldn't have, thus creating unrest between the husband and wife (p.13-14), another social triangle.

And the narrator's familial relationship, the son insinuating himself between the mother and father, and sometimes additional guests taking a place as well (pp.15+), more social triangles.

Passages/quotes worth noting:
p.1-2 "I could hear the whistling of trains, which, now nearer and now farther off, punctuating the distance like the note of a bird in a forest, showed me in perspective the deserted countryside through which a traveler would be hurrying towards the nearby station; and the path he is taking will be engraved in his memory by the excitement induced by strange surroundings, by unaccustomed activities, by the conversation he has had and the farewells exchanged beneath an unfamiliar lamp that will still echo in his ears amid the silence of the night, and by the happy prospect of being home again."

p.8 "Habit! That skilful but slow-moving arrranger who begins by letting our minds suffer for weeks on end in temporary quarters, but whom our minds are none the less only too happy to discover at last, for without it, reduced to their own devices, they would be powerless to make any room seem habitable."

p.12 "...while my mother, keeping very quiet so as not to disturb [my father], looked at him with tender respect, but not too hard, not wishing to penetrate the mysteries of his superior mind."

p.15 "Sometimes when, after kissing me, [my mother] opened the door to go, I longed to call her back, to say to her 'Kiss me just once more,' but I knew that then she would at once look displeased, for the concession which she made to my wretchedness and agitation in coming up to give me this kiss of peace always annoyed my father, who thought such ceremonies absurd..."

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